- Rollins The Bridge Rare
- Sonny Rollins The Bridge Rar
- Rolling Bridge Road Maryland
- Rollins The Bridge Raritan
And 'The Surrey With the Fringe on Top,' just two of many wholly unique Tin Pan Alley song interpretations Rollins has done in his long career. From a career-defining period before the legendary Williamsburg Bridge layoff of two years, Rollins' Newk's Time may not make classic status in jazz roundups, but it certainly is a must for fans of this. Posted in rar. Faerg 6 years ago Permalink.WEBENTiTLED iNT Sonny Rollins-The Bridge -RemasteredGCP Sonny Rollins-The Standard-RemasteredSNOOK Sonny Rollins-Valse HotSNOOK Sonny Rollins-Vol. 2-RemasteredJRP Sonny Rollins-Way Out West-(24 Bit Remastered with Bonus.
After a meteoric rise to fame in the 1950s, legendary tenor sax man Sonny Rollins had walked away from it all by the decade's end, embarking on an introspective, almost monastic three-year quest to improve his technique, during which time he would spend up to 16 hours a day playing his sax, alone, on New York City's Williamsburg bridge, and that solitary period of time spent practicing on the bridge is what gives this album its title. Although critical reception to the album was initially mixed, as many had hoped Rollins would have re-emerged from his sabbatical having developed some revolutionary new technique or with a markedly evolved style that differed more strongly from his earlier work, it was nonetheless a commercial success, and has since become regarded as one of his finest albums, even being inducted into the Grammy Hall of Fame in 2015. Featuring Rollins in a new quartet that also included Jim Hall on guitar, Bob Cranshaw on bass and Ben Riley on the drums, the album has a spare, subdued sound, which might be why the ballads are generally more evocative and memorable than the uptempo numbers, with Rollins' haunting take on the standard 'God Bless the Child' being my pick for the standout track, as well as the one that probably best reflects what it must have been like to spend all that time playing alone on that bridge.
Tenor saxophonist Sonny Rollins' first recording after ending a surprising three-year retirement found the great saxophonist sounding very similar to how he had played in 1959, although he would soon start investigating freer forms. In a pianoless quartet with guitarist Jim Hall, bassist Bob Cranshaw, and drummer Ben Riley, Rollins explores four standards (including 'Without a Song' and 'God Bless the Child') plus two fiery originals, highlighted by the title cut. The interplay between Rollins and Hall is consistently impressive, making this set a near-classic and a very successful comeback.
Sparse yet thoughful; carefree yet deliberate. Sonny's tone is in fine form: Typically powerful and muscular, and at the same time full of beauty and complexity. This album for me is a perfect example of why he ranks with Coltrane: The talent, the dedication, the forever-seeking, and the fearlessness are all on 'The Bridge'. Highly recommended for historical reference and listening pleasure.
So many times you hear about the 'essential albums in jazz:' 'Kind of Blue' 'Blue Trane' 'Time Out' 'Giant Steps' ect. One absolute essential that you don't hear about very often is Bridge by Sonny Rollins. This is most unfortunate because not only is the musicianship on this recording incredible, but this album also made a leap forward in the history of jazz.
Make no mistake, Sonny Rollins is an incredible player. His tenor saxophone cuts through with that boomy, rich tone that all jazz adicts love. His solos are great, well-developed and exciting. His writing on some of the tunes on this album is quite innovative and groundbreaking. Everything that Sonny does on this disc is incredible and deeply satisfies the lovers of jazz who hear it. However, there are two words that can be used to describe what makes this album stick out from all the other jazz albums of this time period: 'Jim Hall.'
Jim Hall's Guitar work on this recording is very important to what makes this disc worthwhile and distinguished. He essentially fills the job description of a pianist on the guitar. The result: jazz guitar like never before. This was one of the first jazz quartets to use a guitar in place of a piano and the effects are quite satisfying. Every little nuance that Hall adds to the music complements Rollins' genius quite nicely. The chemistry is quite incredible. Each of the musicians are so into each other's heads that they produce music that is so exciting and so fresh to even the untrained ear. Basically this entire album is two geniuses collaborating to make unbelivable, quality jazz in the presence of a very solid bass player and drummer.
The album is a must have for any jazz completist. It's a nice mix of good old standards and fresh innovative originals from Sonny that makes for a very fun listening experience. Incredible musicianship is the product of the incredible chemistry on this album. Break off from the collective. Recognize the historical importance of Bridge. It will provide a pleasant listening experience time after time.
The album was inducted into the Grammy Hall of Fame in 2015.
Track listing:
'Without a Song' (Edward Eliscu, Billy Rose, Vincent Youmans) – 7:26
'Where Are You?' (Harold Adamson, Jimmy McHugh) – 5:10
'John S.' (Sonny Rollins) – 7:46
'The Bridge' (Sonny Rollins) – 5:59
'God Bless the Child' (Arthur Herzog Jr., Billie Holiday) – 7:27
'You Do Something to Me' (Cole Porter) – 6:51
Rollins The Bridge Rare
Personnel:
Sonny Rollins – tenor saxophone
Jim Hall – guitar
Bob Cranshaw – bass
Ben Riley – drums
Harry 'H.T.' Saunders – drums (replaces Riley on 'God Bless the Child')
Sonny Rollins – The Bridge (1962/2013)
FLAC (tracks) 24 bit/176,4 kHz | Time – 40:39 minutes | 1,91 GB | Genre: Jazz
Official Digital Download – Source: HDTracks.com | Digital booklet | © Sony Music Entertainment
Sonny Rollins The Bridge Rar
The Bridge was the album that marked Sonny Rollins' return to recording after a three-year self-imposed hiatus that began in 1959. Rollins spent most of those three years practicing alone up on the Williamsburg Bridge in New York City: 'I would be up there 15 or 16 hours at a time spring, summer, fall and winter'. The Bridge, his first solo recording after returning to performance, took its name from those practicing sessions. Consistently impressive is the interplay between Rollins and Hall, and the record is considered a classic by jazz aficionados today.
Tenor saxophonist Sonny Rollins' first recording after ending a surprising three-year retirement found the great saxophonist sounding very similar to how he had played in 1959, although he would soon start investigating freer forms. In a pianoless quartet with guitarist Jim Hall, bassist Bob Cranshaw, and drummer Ben Riley, Rollins explores four standards (including 'Without a Song' and 'God Bless the Child') plus two fiery originals, highlighted by the title cut. The interplay between Rollins and Hall is consistently impressive, making this set a near-classic and a very successful comeback.
Tracklist:
01 – Without a Song
02 – Where Are You
03 – John S.
04 – The Bridge
05 – God Bless the Child
06 – You Do Something to Me
'God Bless the Child' recorded on January 30, 1962;
'Where Are You?', 'John S.' and 'You Do Something to Me' recorded on February 13;
Recolored 1 1 0 keygen crack. https://download-applications.mystrikingly.com/blog/how-to-download-adobe-premiere-pro-cc. 'Without a Song' and 'The Bridge' on February 14, 1962 in a New York City studio.
Rolling Bridge Road Maryland
Musicians:
Sonny Rollins – tenor saxophone
Jim Hall – guitar
Bob Cranshaw – bass
Ben Riley – drums
Harry 'H.T.' Saunders – drums (replaces Riley on 'God Bless the Child') Tidymymusic 3 0 1 24.
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Rollins The Bridge Raritan
mqs.link_SnnyRllinsTheBridge19622013HDTracks241764.part1.rar
mqs.link_SnnyRllinsTheBridge19622013HDTracks241764.part2.rar Davinci resolve studio 14 0 1.